Writing is fun, but it's so much more satisfying when your stories create an audience that can't stop raving about your work.


"Even though I've read all the screenwriting guru books that go deep on story structure, I always felt like I was going into battle armed with a gun, but no one had given me any ammunition.
More often than not, they gave short shrift on how to write the middle of the story... that 50-60% percent of the screenplay traditionally called the Second Act.
The Script.Gallery System opened my eyes and showed me a series powerful steps to take before ever thinking about outlining or writing scenes. Now I truly grasp all the threads that make up the once-dreaded middle. Now I have all the ammunition I'll need to win every confrontation with a blank page."


"I've written a lot of stories. I've been rejected by agents, publishers, and producers more times than I would like to admit. And you know what else I really didn't want to admit? They probably made the right decision 9 out of 10 times. It turns out that exploring my story ideas on the page, without knowing what they're really about, is a recipe for bloated, confusing stories that fail to set a hook into the subconscious of the reader or watcher.
The Script.Gallery guys converted me from a 'Pantser' to a 'Planner'. Now I don't start writing my story without my Blueprint in hand. No more throwing out huge amounts of work. Measure twice, cut once!"


"Do you know what a Green Light Engine is? What about a Dramatic Matrix? Can you actually describe how to create
Three Dimensional Characters?
It might sound like a lot of mumbo jumbo industry jargon, but by following the step-by-step Script.Gallery writing process, I was able to plan and write scripts for my first season of comics that attracted not one, but two killer artists.
I figure if comic book artists like what I'm writing, especially how the characters overcome problems and how their individual stories link together, so will a paying audience when we launch our finished product."

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